A challenging task for me as an author is to create characters who possess value
systems different from my own. I struggle to express, on paper, attitudes and
actions that are contrary to my own belief system. Take, for example, swearing—or
"cussin'," as my sweet mother-in-law used to say. I don't believe in
taking God's name in vain, and I find the "f-bomb" repugnant. Yet,
what if one of my characters would be more authentic by spewing obscenities or
by being sexually explicit or abhorrently cruel?
Some
horrific stories, as in my novel, The Dark
Room, are just too important not to be told. The Dark Room describes the physical, emotional, and verbal abuse
of a woman, her child, and her grandchild. Often Stella's husband, Hank is
drunk or high on drugs when he administers the abusive language and beatings.
While the story is fiction, it represents too many true accounts of battered
women and abused children.
I wanted The Dark Room and its characters to be
authentic. I wanted real victims to recognize themselves in Stella and realize
that whether the abuse is overt or subtle, they don't deserve it, and help is
available if they reach out.
To make
Hank plausible, I had to create a persona that is wholly egregious to my
sensibilities. Hank is cruel, controlling, filled with rage, and unable to
express his grief in a healthy way. Instead, he tries to numb his emotional
pain with drugs and alcohol. He lashes out and alienates the very people who
could provide support.
Through
research for this book, I discovered case studies that verified the
authenticity of my accounts. The cruelty described in The Dark Room is more prevalent in American society than most
people realize or are willing to admit. Men from all walks of life beat and
belittle women and children every day. These men are emotionally damaged and
have a need to control and overpower others. They are attracted to those who
seem least likely to fight back or to stand up for their rights
as human beings. They convince their victims that they are worthless and at
fault for their behavior.
If I have
an important story like The Dark Room
to tell, should I dilute its impact by writing a cleaned-up version? Do I tread
on the side of caution or do I set aside my own discomfort to develop authentic
characters? It’s a decision with which I struggle, knowing that my written
words will outlive me. Perhaps I'll never completely reconcile this issue.
Overall, I feel a responsibility to my readers to give them authentic
characters, but I draw the line at using sensationalism and obscenity just to
sell books.
Cindy L. Freeman is the author of two award-winning
short stories and three published novels: Diary in the Attic, Unrevealed and The
Dark Room. Website: www.cindylfreeman.com; Facebook page: Cindy Loomis Freeman.
Her books are available through amazon.com or hightidepublications.com